Episode 15

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Published on:

13th Feb 2024

1.15 - Daniel Montoya Jr.

Join Jason as he welcomes composer Daniel Montoya Jr. to the podcast!

Daniel Montoya Jr. is a proud and rare native of Austin, an ’80s, ’90s, & ’00s music aficionado, and fully embraces his unstoppable rise to “zaddy” status. He also, occasionally, writes music (since being musically moved by his first viewing of the James Cameron film Titanic and wanting to write the music to the sequel, Titanic 2: Jack of Spades: Jack Dawson’s Revenge: This Time It’s Personal). His oeuvre spans several genres, including original pieces and arrangements for wind band, percussion ensemble, and the marching arts. His works, which resound with bristling energy and color, have won numerous awards from national organizations. His education includes a master’s degree in wind conducting from Texas State University where he studied with Dr. Caroline Beatty, a master’s degree in music composition from Central Michigan University where he studied with David R. Gillingham, and a baccalaureate degree in music composition from Texas State University (he fully expects to be called Grand Master Montoya, or “Montstro“). He has also studied and participated in masterclasses with such composers as Kevin Beavers, William Bolcom, Michael Ippolito, Cindy McTee, Kevin Puts, Russell Riepe, and Roberto Sierra.

While not tending to Mont Shoemore, his outlandish and somewhat offensive collection of sneakers, Montoya travels around the country as an adjudicator, keynote speaker, clinician, and guest conductor. His music has been performed by ensembles and institutions across the United States, including Baylor University, Brigham Young University, Central Michigan University, Indiana University, Michigan State University, Purdue University, Temple University, Texas State University, Texas Tech University, University of Alabama, University of Central Florida, University of Houston, University of Illinois, University of Maryland, University of Michigan, University of North Texas, the University of Texas at Austin, University of Texas at El Paso, and The United States Army Field Band. Performances of his music have included concerts at Avery Fisher Hall, the Midwest International Band and Orchestra Clinic, the Percussive Arts Society International Conference, the Texas Music Educators Association Conference, the North American Saxophone Alliance Biennial Conference, and the Texas Bandmasters Association Conference, among others. When in attendance at these events, he can usually be identified by his sneakers and/or his man purse (or “murse”).

Although the closest he’s been to being a man in uniform was as a member of “The Pride of the Hill Country” and possibly some ill-advised Halloween costumes, he served as the arranger for the U.S. Army All-American Marching Band in 2012 & 2013. His involvement with marching bands engages him throughout the nation. Among the organizations that have used his compositions and arrangements on the field are champions and finalists at various state- and national-level competitions, and major Division I intercollegiate bands. Montoya has written and designed for the Madison Scouts Drum & Bugle Corps (Madison, WI), Colts Drum & Bugle Corps (Dubuque, IA), Spirit of Atlanta (Atlanta, GA), Guardians Drum & Bugle Corps (Dallas/Fort Worth, TX), and Revolution Drum & Bugle Corps (San Antonio, TX). His innovative approach to field arrangement involves imbuing new vitality and dramatic elements into his charts creating a new and vibrant musical object rather than a mere transcription of the original.

When not reviewing sneakers on his YouTube channel, The Shoemmelier, Montoya enjoys engaging in the indigenous Austinite culture where till his dying day he will constantly correct and promote the difference between Austin and Austin-area. He is constantly mistaken for Lin-Manuel Miranda, Tony Stark, and Jeff Goldblum. His sidekicks in life are his better half, known to the Twittersphere simply as “The Girl,” their daughter, known to the world as “The Heir,” and a slightly overweight puggle named Mahler. He has coined the term “portmonto” as a portmanteau of his name with the word “portmanteau” to refer to his love of making up senselessly long words (partially inspired by his love of mash-ups) and he was a fan of using hashtags on the Facebook way before it was cool.

Montoya’s music is published by C-Alan Publications, Row-Loff Productions, Tapspace Publications, and his publishing company, Underwater Theme Productions/Montoya Music. He is an Artist/Educator for Innovative Percussion, Inc. and is a member of ASCAP and Phi Mu Alpha Sinfonia.

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About the Podcast

Composer Chats
Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

About your host

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Jason Nitsch

Jason Nitsch is a composer for the concert stage, feature and short films, and other media.

In the world of podcasting, he is the writer, producer, and composer for Beyond the Belt: Adventures from the Outer Rim, a science fiction drama podcast with a dedicated cult following. In the film world, he has scored the short film Passing By directed by David M. Chandler, Edward J. Delaney’s feature length documentary Library of the Early Mind, and the celebrated horror short Bedtime produced by Joint Concept Productions. He also served as music supervisor for 2014’s “Pictures at an Exhibition” feature film by director Dallas Burgess.

He has released multiple albums, including Poem at the End of the World, The Season 1 and 2 Soundtracks from Beyond the Belt: Adventures from the Outer Rim, and most recently the chamber music anthology 1000 Steps to Nowhere. His music has been published by several prominent publishers, including Excelcia Music, T.U.X. People’s Music, FJH Music, and Randall Standridge Music.

Jason is a lover of dogs, legos, video games, and all things Star Wars (yes, even the prequels). He is also a husband, father of two budding musicians, and a patron of art forms that stretch traditional boundaries.

You can find Jason’s works for the stage at his publishing company Suburban Zombie Music