Episode 25

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Published on:

23rd Apr 2024

1.25 - Marie Antoinette Douglas

Join Jason as he welcomes composer Marie Antoinette Douglas to the show!

Atlanta bred composer Marie A. Douglas mixes and layers genres and textures as a means to inject unprecedented relate-ability and excitement into pieces intended for concert stages. Her compositional choices portray her varied experiences creating a product that is highly artistic, gorgeous yet gritty, robust with innovation and familiarity. Marie’s compositions and arrangements have been performed throughout the United States and Canada, she as been noted for the memorable melodies, multi faceted rhythms, compelling textures, and the complimentary orchestrations present within her works.

Marie got her start in the artistic and culturally rich streets in the inner city of Atlanta. Her style reflects that relationship and proximity to “The Culture” and the unique perspective that it affords her. After high school she attended the Historically Black institution Florida A&M University and participated in the famed Marching “100” band. This period further inspired Marie to infuse attributes of her favorite musical genres and cultural staples into her creations intended for concert ensembles.

Douglas’ compositions have included spirituals, body percussion, spoken word, electronic samples and tons of other elements of sound often comprising the sonic phenomena of the African Diaspora in conjunction with winds and or strings and percussion. Lately she has explored the fusion of Hip-Hop and its sub-genre “Trap Music”, a genre that has its roots in Atlanta, with western art music idioms.

A variety of well-known ensembles have worked with Marie and performed her music; The Albany Symphony-Dogs of Desire, University of Central Florida Symphonic Band, University of Alabama-Birmingham Wind Ensemble and Symphonic Band, California All-State Wind Symphony, University of the Pacific Conservatory, and many others. In addition to symphonic and chamber works, her catalogue also includes music for film as well as hip-hop and r&b instrumentals.

Recent projects include: serving as arranger, composer, conductor and musical director of the Live Nation/Big Femme Energy Live Experience tour featuring Ambre, Baby Rose, SayGrace and Teyana Taylor; premieres for her new flute concerto in collaboration with conductor, Erin Bodnar and flautist Sarah Jane Young which was selected to be included on a compilation CD released by the University of North Florida Wind Symphony in 2022, her work for symphonic band centering teen mental health entitled I am Enough was premiered by the California All - State Wind Ensemble in Fresno, California. Additionally, Marie completed the 2023 Jemison Visiting Scholar in the Humanities and Composer in Residence at the University of Alabama-Birmingham and arranged on 2022 Grammy Award-Nominated album “Full Circle”.

Among the upcoming performances of her works for the 23’-24' season are world premieres with the University of Georgia Wind Ensemble and the United States Navy Band in Washington D.C. for “SOUL Suite No. 1”, a new piece for wind ensemble as well as a collaboration with the United States Army Soldiers’ Chorus of Washington, DC on a work tilted “Umoja in America”.

Marie serves as an adjunct professor within the Master of Music Technology Program at Southern Utah University where she was awarded the 2022 Influencer Award by the Division of Student Affairs and Professional Development Center. She is pursuing a Doctor of Musical Arts in composition and conducting from the University of Memphis, where she studies with Kamran Ince, Mahir Cetiz, and Albert Nguyen.

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About the Podcast

Composer Chats
Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

About your host

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Jason Nitsch

Jason Nitsch’s music is equally at home on the concert stage, in outdoor venues, and streaming online, reaching the broadest audience of musicians, performers, and music enthusiasts possible. As a composer dedicated to the exploration of new ideas, his music has evolved over a 25-year career to incorporate more and more non-traditional elements, such as effect tracks, sound drops, and enveloping electroacoustic works combining live and pre-recorded elements. Much of his work is rooted in a large ensemble context; his wind ensemble works have received thousands of performances throughout the US including at Midwest, State Music Conferences including Texas, Colorado, and Kentucky Music Educators Associations, Colleges and Universities like Baylor University, the University of North Texas, and Syracuse University, and at other regional music festivals (ITEA).

In recent years Jason has focused on more intimate chamber musical settings, including collaborations with solo musicians such as trumpeter Kate Amrine , Cellist Carolyn Regula (The Cello Doll) and vocalist Michaela Catapano, as well as chamber groups across the US (Chicago Brass Choir), while continuing expand his sizable catalog of works for larger instrumental forces.

Jason is well known for his work as an educator, dedicated to providing young promising musicians with the foundational experiences on which a lifetime of music-making can be built, and is pursuing research into the ways that music students process their experiences as learners and performers.

Combining his long career in music with a deep love of science fiction and a natural talent for storytelling, Jason recently launched his first podcast, “Beyond the Belt: Adventures from the Outer Rim.” “Beyond the Belt” is a collection of 8 original dramatic science fiction episodes for which he served as writer, producer, and composer. It tells the story of a scientific research experiment gone horribly wrong. With Zombies (of course!).

Jason has released three digital albums in recent years, including the Season One Soundtrack from the Beyond the Belt podcast, “1000 Steps to Nowhere", a collection of chamber music compositions, and most recently “The Dead Teach the Living,” featuring nine vocal collaborations ranging from solo works to Orchestral compositions.

Jason is a lover of dogs, video games, and all things Star Wars (yes, even the prequels). He is also a husband, father of two budding musicians, and a patron of art forms that stretch traditional boundaries.

He currently lives in Waxhachie, TX with his family. He can occasionally be sighted lurking at select music conferences.