Episode 64

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Published on:

22nd Apr 2025

2.14 - Kurt Erickson

Composer Kurt Erickson specializes in creating innovative large scale, multi-year projects for multi-artist commissioning consortiums. His 2023-2025 Each Moment Radiant will include some 20-25 global arts organizations, including those in the US, Sweden, and Finland. The multimedia vocal work will honor the lives of the thirty-five Syracuse University students who perished in the Pan Am Flight 103 Tragedy over Lockerbie, Scotland. 

Erickson’s Seventeen Minutes and Twenty-Two Seconds for solo piano commemorates the 300th Anniversary of Bach’s Well Tempered Clavier and the memory of jazz great Chick Corea. The work was created from a 2020-2023 commissioning consortium led by the San Francisco International Piano Festival, including a consortium of 20 pianists performing the work over North and South America. 

His 2018-2020 Here, Bullet song set achieved global success as work that was written for a global consortium of 30 singers from three different continents, won First Prize in the 2020 NATS Art Song competition, and was the subject of a published doctoral dissertation. In a version of the piece written for Sybarite5, Here, Bullet will be turned into a short film by Tonynominated actor/director Will Chase. The film and the new version of the piece will be toured during the 2024-2025 season, screened at international film festivals, presented in performances by military performing ensembles, and presented at veteran’s organizations and other civic events. 

Erickson currently serves as Composer-in-Residence with San Francisco’s LIEDER ALIVE!, writing and premiering new commissioned works on their subscription concert series. He has been called “a composer at the height of his powers” and his music has been described as “haunting and poetic”, “gripping”, “genuinely moving”; with one author writing that a performance “moved this reviewer to tears”. 

Noteworthy performances and commissions include those by the Minnesota Orchestra, Grammy Award winning San Francisco Girls Chorus at Davies Symphony Hall, violist Paul Yarbrough of the Alexander String Quartet, performances and radio interviews at the American Guild of Organists National Convention, and a commissioned work for soprano and orchestra celebrating the 50th Anniversary of the Berkeley Community Chorus & Orchestra. His vocal music and song sets are performed on recitals across the United States. 

Erickson’s association with the late countertenor Brian Asawa led to premiere performances in Los Angeles, San Francisco, Long Beach, and Seattle with critical acclaim in The Huffington “Erickson’s settings are simply gorgeous: the recording of the Los Angeles premiere (Here, Bullet)…moved this reviewer to tears.” Kathleen Roland Silverstein, Journal of Singing Post and San Francisco Classical Voice. Erickson has worked extensively with San Francisco Opera Ballet Master Lawrence Pech on a number of dance commission projects and festival teaching engagements. 

Considered an entrepreneurial artist and thought leader, Erickson has implemented and designed over ten years of innovative multi-year composer residencies with performing arts organizations, cathedrals, dance companies, and national shrines. He is a frequent podcast guest and host, interviewing artists including soprano Karen Slack and Pulitzer Prize winning composer Anthony Davis. He designed the weekly CRC Music: In The Studio series at Sacramento’s Cosumnes River College, and frequently serves as a guest artist at colleges and universities across the country. 

While in his twenties, Mr. Erickson created a series of unique sacred music residencies: a 1999-2000 Three Church Residency at San Francisco’s Grace Cathedral, St. Mary the Virgin, and Berkeley’s St. Mark’s Episcopal Church; then later a 2001-2003 composer residency at The National Shrine of Saint Francis of Assisi. Erickson’s choral works appear on the professional choral ensemble Schola Cantorum’s release This Christmas Night. 

A new music advocate, Mr. Erickson has premiered new compositions and commissioned 20 prominent composers as part of the Neue Lieder Commissioning Program, a biennial project on the LIEDER ALIVE! concert series. He Directed the Composers Workshop at the Napa Music Festival, mentoring young composers while arranging public performances of original compositions. 

As a young composer Erickson participated in Yale University’s Norfolk Chamber Music Festival, Banff Centre for the Arts, as well as festivals hosted by Cincinnati Conservatory of Music, Brandeis University, and The University of Notre Dame. 

Erickson is a frequent performer with his wife, acclaimed soprano/pedagogue/voice scientist Heidi Moss Erickson. Together they collaborate on new works and speak on topics ranging from composer-singer best practices to assorted pedagogy issues in educational and classical music forums. They are in demand as speakers at colleges, on recital series, and with podcasts.


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About the Podcast

Composer Chats
Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

About your host

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Jason Nitsch

Jason Nitsch’s music is equally at home on the concert stage, in outdoor venues, and streaming online, reaching the broadest audience of musicians, performers, and music enthusiasts possible. As a composer dedicated to the exploration of new ideas, his music has evolved over a 25-year career to incorporate more and more non-traditional elements, such as effect tracks, sound drops, and enveloping electroacoustic works combining live and pre-recorded elements. Much of his work is rooted in a large ensemble context; his wind ensemble works have received thousands of performances throughout the US including at Midwest, State Music Conferences including Texas, Colorado, and Kentucky Music Educators Associations, Colleges and Universities like Baylor University, the University of North Texas, and Syracuse University, and at other regional music festivals (ITEA).

In recent years Jason has focused on more intimate chamber musical settings, including collaborations with solo musicians such as trumpeter Kate Amrine , Cellist Carolyn Regula (The Cello Doll) and vocalist Michaela Catapano, as well as chamber groups across the US (Chicago Brass Choir), while continuing expand his sizable catalog of works for larger instrumental forces.

Jason is well known for his work as an educator, dedicated to providing young promising musicians with the foundational experiences on which a lifetime of music-making can be built, and is pursuing research into the ways that music students process their experiences as learners and performers.

Combining his long career in music with a deep love of science fiction and a natural talent for storytelling, Jason recently launched his first podcast, “Beyond the Belt: Adventures from the Outer Rim.” “Beyond the Belt” is a collection of 8 original dramatic science fiction episodes for which he served as writer, producer, and composer. It tells the story of a scientific research experiment gone horribly wrong. With Zombies (of course!).

Jason has released three digital albums in recent years, including the Season One Soundtrack from the Beyond the Belt podcast, “1000 Steps to Nowhere", a collection of chamber music compositions, and most recently “The Dead Teach the Living,” featuring nine vocal collaborations ranging from solo works to Orchestral compositions.

Jason is a lover of dogs, video games, and all things Star Wars (yes, even the prequels). He is also a husband, father of two budding musicians, and a patron of art forms that stretch traditional boundaries.

He currently lives in Waxhachie, TX with his family. He can occasionally be sighted lurking at select music conferences.